BOSTON POPS FIREWORKS SPECTACULAR JULY 3, 2014

ON DEMAND 

WEB STREAM

MA

nolongeravailable

Welcome to the Boston Pops Fireworks Spectacular On Demand Web Stream!

This Web Stream will be available for 24 days, starting on July 4, 2014.  This On Demand Web Stream was taken from the Free Live Web Stream that was aired on Thursday, July 3, 2014.  Thank you to WBZ4/CBSBoston and the Massachusetts Office of Travel and Tourism for making this Web Stream possible!

Megan Hilty / Beach Boys

Boston Pops Esplanade Orchestra Keith Lockhart, conductor Beach Boys, special guests Megan Hilty, special guest Governor Deval Patrick, narrator Boston Children’s Chorus

Program Information
(revised)

 

Liberty Fanfare
Williams
This Difficult Song: The Star-Spangled Banner at 200
Smith/Key-Bass
The Star-Spangled Banner
GOVERNOR DEVAL L. PATRICK, narrator
 
America from Bernstein on Broadway
Bernstein
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Ellington/Mills-Sebesky
One Day
Matisyahu-Elliott
Let It Go
BOSTON CHILDREN’S CHORUS
Anderson-Lopez/Lopez-Metzger/Ricketts
The ’20s Roar!
arr. Sebesky
PRESENTING MEGAN HILTY
They Just Keep Moving the Line
Shaiman/Wittman-Barton
For Good
Schwartz-Barton
Diamonds are a Girl’s Best Friend 

Styne/Robin-Barton 

PRESENTING THE BEACH BOYS:
California Girls  
Wouldn’t It Be Nice  
Fun, Fun, Fun   
Patriotic Sing-Along
arr. Hayman
1812 Overture
Tchaikovsky

Boston Pops Live On Demand Web Stream

Watch “America’s Orchestra”, the Boston Pops in an unprecedented ON DEMAND WEB STREAM of the July 3rd concert on Boston’s Charles River Esplanade. Keith Lockhart and the Boston Pops Esplanade Orchestra will be joined by special guests the Beach Boys, Megan Hilty,  Governor Deval Patrick, and the Boston Children’s Chorus in celebrating one of the nation’s proudest holiday traditions, the Boston Pops’ Fourth-of-July concert at the Hatch Shell on Boston’s Charles River Esplanade, celebrating its 41st year.  This ON DEMAND WEB STREAM will be available for 24 days, starting on July 4, 2014.
keith

Keith Lockhart, conductor

Julian and Eunice Cohen Boston Pops Conductor, endowed in perpetuity Keith Lockhart became the twentieth conductor of the Boston Pops in 1995, adding his artistic vision to the Pops tradition established by his predecessors John Williams and Arthur Fiedler. Mr. Lockhart holds the Julian and Eunice Cohen Boston Pops Conductor chair. He has worked with a wide array of established artists from virtually every corner of the entertainment world, while also promoting programs that focus on talented young musicians from the Tanglewood Music Center, Boston Conservatory, and Berklee College of Music. During his nineteen-year tenure, he has conducted more than 1,500 Boston Pops concerts and introduced the innovative JazzFest and EdgeFest series, featuring prominent jazz and indie artists performing with the Pops. Mr. Lockhart has also introduced concert performances of full-length Broadway shows, including Rodgers and Hammerstein’s Carousel and Stephen Sondheim’s A Little Night Music, and the PopSearch and High School Sing-Off competitions. Under his leadership, the Boston Pops has commissioned several new works-including The Dream Lives On, a tribute to the Kennedy brothers, which was premiered in May 2010 during the 125th anniversary season-and dozens of new arrangements. Audiences worldwide love Keith Lockhart’s inimitable style, expressed not only through his consummate music-making, but also by his unique ability to speak directly to the audience about the music to which he feels so passionately committed. He and the Boston Pops have released five self-produced recordings-2013′s A Boston Pops Christmas-Live from Symphony Hall, as well as Sleigh Ride, America, Oscar & Tony, and The Red Sox Album-and also recorded eight albums with RCA Victor-Runnin’ Wild: The Boston Pops Play Glenn MillerAmerican Visions, the Grammy-nominated The Celtic AlbumHoliday PopsA Splash of PopsEncore!, the Latin Grammy-nominated The Latin Album, and My Favorite Things: A Richard Rodgers Celebration. Keith Lockhart has made 74 television shows with the Boston Pops, including a 2009 concert featuring jazz trumpeter Chris Botti, and special guests Sting, John Mayer, and Steven Tyler, and the annual Boston Pops Fireworks Spectacular, broadcast nationally for many years on on the A&E and CBS television networks. He has also led many Holiday Pops telecasts, as well as 38 new programs for PBS’s Evening at Pops (1970-2004). He has led the Boston Pops on 39 national tours, as well as performances at Carnegie Hall and Radio City Music Hall, and brought the music of “America’s Orchestra” overseas in four tours of Japan and Korea. Mr. Lockhart has led the Boston Pops in the national anthem for numerous major sports events. Keith Lockhart currently serves as principal conductor of the BBC Concert Orchestra in London, which he led in the June 2012 Diamond Jubilee Concert for Queen Elizabeth II, and as artistic director of the Brevard Music Center summer institute and festival in North Carolina. He has appeared as a guest conductor with virtually every major symphonic ensemble in North America, as well as several in Asia and Europe. He was music director of the Utah Symphony from 1998 to 2009, and led that orchestra in performances at the 2002 Olympic Games, as well as on its first European tour in two decades. Prior to coming to Boston, he was the associate conductor of both the Cincinnati Symphony and Cincinnati Pops orchestras, as well as music director of the Cincinnati Chamber Orchestra. Born in Poughkeepsie, NY, Keith Lockhart began his musical studies with piano lessons at the age of seven. He holds degrees from Furman University and Carnegie Mellon University, and honorary doctorates from several American universities. Visit keithlockhart.com for further information.

beachboysBeach Boys, Special Guests

You can capsulize most pop music acts by reciting how many hits they’ve had and how many millions of albums they’ve sold.  But these conventional measurements fall short when you’re assessing the impact of The Beach Boys.  To be sure, this band has birthed a torrent of hit singles and sold albums by the tens of millions.  But its greater significance lies in the fact that it changed the musical landscape so profoundly that every pop act since has been in its debt. Happily for us all, The Beach Boys continue to create and perform with the same bold imagination and style that marked their explosive debut over 50 years ago. And now in 2013, their Capitol Records release, Sounds of Summer (RIAA certified triple platinum with over three million in sales and climbing), and it’s companion The Warmth of the Sun marks a resurgence in Beach Boys interest that has again rocked the world. Even more than the Beatles, The Beach Boys found through their music the key to unfading youth—and they made copies for everyone. To these guys, the beach isn’t just a place where the surf comes to play—it’s where life is renewed and made whole again. Captained by Mike Love, The Beach Boys play an astoundingly busy schedule of concerts, averaging 150 shows a year, ranging from sundrenched summer festivals to gala New Year’s celebrations and special events worldwide.   In 1974 Mike Love’s concept album Endless Summer ignited a second generation of Beach Boys fans and stirred a tempest that rocked the music world. Grammy-winning songwriter Bruce Johnston, [Barry Manilow’s “I Write the Songs”], joined The Beach Boys in 1965, replacing Glenn Campbell, who filled-in for Brian Wilson, on vocals/bass, when he retired from touring.  Highly regarded as a singer-songwriter, Johnston’s vocal work with such legendary artists as Elton John and Pink Floyd firmly established him among rock’s elite artists. Had this remarkable band been less committed to its art and its fans, it could have retired from the field with honor at dozens of points along the way, confident that it had made a lasting contribution to world culture.   It could have rested on the success of the epoch-shifting Pet Sounds masterpiece in 1966 . . . or after recording Love’s co-written Golden Globe nominated “Kokomo” in 1988 and seeing it become its best selling single ever . . . or after being inducted that same year into the Rock & Roll Hall of Fame . . . or after watching its worldwide album sales blow past l00 million . . . or after winning the NARAS Lifetime Achievement Award in 2001 [along with The Who, Bob Marley, Tony Bennett, Sammy Davis Jr. and Les Paul].  And still, The Beach Boys continue to have fun, fun, fun, with no end in sight. In 2012, The Beach Boys scheduled a 74 concert date limited 50th Anniversary Reunion Tour which was scheduled as a limited run reunion tour and ended in the U.S. July 15 and internationally on Sept 28th in which the original members reunited and released “That’s Why God Made the Radio,” the album debuted at # 3 on the Billboard charts, their highest chart position in 37 years and an unprecedented milestone. The Beach Boys are led by Mike Love and Bruce Johnston, who along with Jeffrey Foskett, Randell Kirsch, Tim Bonhomme, John Cowsill and Scott Totten continue the legacy of the iconic American band. This tour will not feature Brian Wilson, Al Jardine or David Marks. Few, if any, acts can match The Beach Boys’ concert presence, spirit and performance.  They were center-stage at Live Aid, multiple Farm Aids, the Statue of Liberty’s 100th Anniversary Salute, the Super Bowl and the White House. On one day alone—July 4, 1985—they played to nearly 2 million fans at shows in Philadelphia and Washington, D. C. Love’s role as the band’s front man sometimes overshadows his stature as one of rock’s foremost songwriters.  “Surfin’,” The Beach Boys’ first hit came from his pen.  With his cousin, Brian Wilson, Love wrote the classics “Fun, Fun, Fun,” “I Get Around,” “Help Me Rhonda,” “California Girls” and the Grammy nominated “Good Vibrations.”  Years later, he showed he still had the lyrical chops by co-writing the irresistible and chart-topping “Kokomo.” On The Beach Boys’ near horizon is another national/world tour and continued charity activities through Mike Love’s Love Foundation,which supports national environmental and educational initiatives.  Love and The Beach Boys’ recent efforts raised over a quarter of a million dollars for the Red Cross to benefit victims of Hurricane Katrina and made additional contributions to the disaster relief in Haiti. The band appeared on countless worldwide TV shows throughout the years including: The Ed Sullivan Show, Dick Clark’s American Bandstand and The Tonight Show.  Other television appearances include performances on Don Imus’ MSNBC show Imus In The Morning, TNT’s NBA All-Star Game, NBC’s Macy’s Day Parade, The Today Show, PBS’ A Capitol Fourth, Good Morning America, Weekend Today, The O’Reilly Factor.  In addition to founding Beach Boy Mike Love (lead vocals) and Beach Boy-vet Bruce Johnston (vocals/keyboards)–Jeffrey Foskett (guitar/vocals), Randell Kirsch (bass/vocals), Tim Bonhomme (keyboards/vocals), John Cowsill of The Cowsills (percussion /vocals) and Scott Totten (guitar/vocals) round out the band.

MeganHilty

Megan Hilty, Special Guest

Megan Hilty recently starred alongside Sean Hayes in NBC’s comedy “Sean Saves the World.” Prior to that, she portrayed the seasoned triple-threat Ivy Lynn in NBC’s musical drama “Smash” for two seasons. In March 2013, Hilty released her debut solo album, “It Happens All The Time,” which included fresh interpretations of compositions by contemporary songwriters and producers. She previously starred as Lorelei Lee, the diamond-loving blonde made famous by Carol Channing, in theEncores!production of “Gentlemen Prefer Blondes,” to which she earned rave reviews. Additionally, her voice was featured as Rosetta in Disney’s “Tinker Bell: Secret of the Wings.” She’s previously recorded vocals in Disney’s “The Secret Life of Magic Gourd,” “Phineas & Ferb,” “Glenn Martin DDS,” “American Dad,” “Tinker Bell and the Pixie Hollow Games,” “Robot & Monster” as well as singing as Snow White in the film “Shrek the Third.” Hilty will next be seen in Summertime Entertainment’s animated film “Dorothy of Oz” with Kelsey Grammer, Hugh Dancy and Lea Michele, slated for release in May 2014. She can also be heard alongside Placido Domingo on the opera star’s duet album. A native of Seattle, Hilty moved to New York City after graduating from the prestigious Carnegie Mellon University, and quickly made her Broadway debut as Glinda in “Wicked.”  She went on to perform the role in both the national tour and in Los Angeles. After receiving critical acclaim for her portrayal of Doralee Rhodes in Broadway’s “9 to 5: The Musical,” Hilty was honored with nominations for Lead Actress in a Musical at the Drama Desk Awards, Outer Critics Circle Awards, the Drama League Awards and L.A. Stage Alliance Ovation Awards. Hilty has previously performed at Carnegie Hall with the New York Pops, the National Symphony Orchestra at the Kennedy Center, the New York Philharmonic at Lincoln Center, the Boston Pops, the Cincinnati Pops, the Houston Symphony and with the Phoenix Symphony. She was also featured on TNT’s 2012 Christmas in Washington special and continues to perform at prestigious venues nationwide. Megan is a frequent guest on PBS’ televised Live from Capital Hill concerts and will appear next in their Memorial Day telecast. Her television credits include guest-starring roles in “Melissa & Joey,” “Bones,” “The Closer,” “Desperate Housewives,” “CSI,” “Shark,” “Ugly Betty,” “Eli Stone” and “The Suite Life of Zach & Cody.” Among Hilty’s film credits are “The Bitter Feast” the short film “The Happiest Man Alive,” opposite Justin Chambers and the upcoming “Untitled Warren Beatty Project.”

bostonchildrensBoston Children’s Chorus, Special Guests

The Boston Children’s Chorus is a creative social integration organization that unites area children ages 7-18 across differences of race, religion and socioeconomic status. Their focus is not on one specific community, but the energy of the intersection of all our communities. Through intensive choral training and once-in-a-lifetime performing experiences locally, nationally and around the world, BCC enhances the education and social development of youth as future leaders and global citizens in the 21st century.

BostonPopsHistoryIn 1900 These Performances Officially Became Pops (Short for “Popular”) Concerts

The Boston Pops Orchestra performs the best music of the past and present, appealing to the widest possible audience with a broad spectrum of styles, from jazz to pop, indie rock to big band, film music to the great American songbook, and Broadway to classical, making it the perfect orchestra for people who don’t know they like orchestras!” -Keith Lockhart

Affectionately known as “America’s Orchestra,” the Boston Pops is the most recorded and arguably the most beloved orchestra in the country, beginning with the establishment of the modern-era Pops by Arthur Fiedler and continuing through the innovations introduced by John Williams and the new-millennium Pops spearheaded by Keith Lockhart. In 2010, with the 125th anniversary season, the Boston Pops reached a landmark moment in a remarkable history that began with its founding in 1885. Fours years earlier, in 1881, Civil War veteran Henry Lee Higginson founded the Boston Symphony Orchestra, calling its establishment “the dream of my life.” From the start he intended to present, in the warmer months, concerts of light classics and the popular music of the day. From a practical perspective, Higginson realized that these “lighter” performances would provide year-round employment for his musicians. The “Promenade Concerts,” as they were originally called, were soon informally known as “Popular Concerts,” which eventually became shortened to “Pops,” the name officially adopted in 1900. The following year the orchestra performed for the first time in its new home, Symphony Hall. Not only is this performance space acoustically outstanding, it was also designed, at Higginson’s insistence, so that the rows of seats for Boston Symphony concerts could be replaced by tables and chairs for Pops concerts.

Some people may not realize that there were seventeen Pops conductors, beginning with the German Adolf Neuendorff, who preceded Arthur Fiedler, the first American-born musician to lead the orchestra. In his nearly 50-year tenure as Pops Conductor (1930-1979), Arthur Fiedler established the Boston Pops as a national icon. He moved the Pops beyond its origins in light-classical music into the world of pop culture, showcasing the popular artists of the day as well as the work of young American composers and arrangers. Mr. Fiedler organized the first free outdoor orchestral concerts on the Charles River Esplanade that led to Boston’s now-famous Fourth of July concert, established the Pops as the most recorded orchestra in history-including the best-seller “Jalousie”-and introduced the Evening at Pops television series, bringing the orchestra into the living rooms of countless Americans.

When John Williams (1980-1993) succeeded Arthur Fiedler, he was the most highly acclaimed composer in Hollywood, and today, with 49 Academy Award nominations, he is the most-nominated living person in Academy history. With the Pops, Mr. Williams continued the orchestra’s prolific recording tradition with a series of best-selling albums for the Philips and Sony Classical labels, broadened and updated the Pops repertoire-commissioning new compositions and introducing new arrangements of Boston Pops classics- and entertained audiences with live orchestral accompaniment to film clips of memorable movie scenes, many of which featured iconic music from his own film scores. He traveled extensively with the Pops both nationally and internationally, leading the Pops on its first tours to Japan. Mr. Williams also brought a bit of Hollywood to the Pops stage, with special appearances by Steven Spielberg, Martin Scorsese, and Frank Langella, not to mention Darth Vader, R2D2, and C3PO.

Having led more than 1,500 Boston Pops concerts, Keith Lockhart (1995-present) is now in his nineteenth season as Boston Pops Conductor. In response to the ever-diversifying trends in music, Keith Lockhart has taken the Pops in new directions, creating programs that reach out to a broader and younger audience by presenting artists-both established performers and rising stars-from virtually every corner of the entertainment world, all the while maintaining the Pops’ appeal to its core audience. He has made 74 television shows, led 37 national and four overseas tours with the Boston Pops Esplanade Orchestra, and recorded eleven albums. Mr. Lockhart’s tenure has been marked by a dramatic increase in touring, the orchestra’s first Grammy nominations, the first major network national broadcast (on CBS Television) of the Fourth-of-July spectacular from the Esplanade, and the release of the Boston Pops’ first self-produced and self-distributed recordings. He has also led the Boston Pops at several high profile sports events, including the pre-game show of NFL’s Super Bowl XXXVI with the New England Patriots, the national anthem for the 2008 NBA Finals with the Boston Celtics, and the opening game of MLB’s 2007 World Series, at Fenway Park with the Boston Red Sox.

The focus of the 128th Boston Pops Spring season was music for the movies, ranging from Hollywood’s Golden Age to today’s blockbusters. “Fantasia in Concert” drew upon selections featured in the original groundbreaking 1940 Disney feature and in Finding Nemo and Monsters, Inc., were showcased in “Pixar in Concert.” Pops Laureate Conductor John Williams returned for “Film Night,” leading music from his own Oscar-nominated score to Steven Spielberg’s Lincoln. For the Pops’ tribute to the late Marvin Hamlisch, vocalists Donna McKechnie, Jodi Benson, and Doug LaBrecque performed some of Mr. Hamlisch’s most memorable tunes from both stage and screen. Matthew Morrison (Glee) and Megan Hilty (Smash)-Broadway performers who are also making their mark in television series-brought their considerable talents to the Symphony Hall stage. Broadway star and Seinfeld regular Jason Alexander returned as special guest for the annual “Presidents at Pops” concert. Another television hit, Mad Men, was the inspiration for an early-’60s-themed program. Patrons at these concerts were encouraged to dress in period fashions, and fans submitted family photos from that era for inclusion in a Pops collage. As in every season, the Pops programs explored the remarkable richness and variety to be found in American music. Returning guest conductor Charles Floyd and the Boston Pops Gospel Choir joined forces with Pastor Wintley Phipps for another rousing “Gospel Night.” The sounds of country music bookended the season: Opening Night marked the return to the Pops stage of superstar Vince Gill and, to close the season, the Music City Hitmakers (Brett James, Hillary Lindsey, and Gordie Sampson) saluted our troops with the debut of a new song, “Free” written especially for these performances. “Free” was again performed on the 40th Anniversary of the Boston Pops Fireworks Spectacular on July 4th on the Charles River Esplanade.

fiedleresplanadePops Fun in the Summertime

esplanade—“a level open stretch of paved or grassy ground, especially one designed for walking or driving along a shore.” More than seventy years ago, before Arthur Fiedler became Conductor of the Boston Pops, he was struck with an idea that was to transform the orchestra’s relationship to the City of Boston. He believed that if great literature was available for free in public libraries, and masterpieces of art could be viewed for a modest fee in museums, then great symphonic music should be accessible to the masses on a similar basis. Fiedler, who was at the time a violist in the Boston Symphony as well as a conductor of his own ensemble, set about raising funds to bring his idea to fruition. After two years, on July 4, 1929, the first free Esplanade Concert was performed at the specially constructed acoustic shell along the banks of the Charles River. The orchestra was composed of roughly half the musicians of the Boston Symphony. That first season of free concerts, which attracted more than 208,000 people, was such a resounding confirmation of Fiedler’s vision that the Boston Symphony management was swayed to sign Fiedler to a three-year conducting contract, which was only the beginning of five decades of leading the Pops, until his death in 1979. The high point of Fiedler’s career was probably the July Fourth concert in 1976. The special bicentennial event attracted more than 400,000 people and made the “Guinness Book of World Records” for the largest audience in the history of orchestral concerts (a record since broken with the 1998 attendance of 500,000+). In honor of Fiedler’s profound influence, the Boston Pops dedicates one Esplanade concert each season to him. The Esplanade season today encompasses roughly one week’s worth of concerts featuring diverse programming that ranges from classical and opera favorites to gospel music and Broadway showstoppers. The highlight of each season remains the festive Fourth of July concert, which is now telecast live nationwide and attracts nearly a half-million people each year. Recent guest artists have included the Pointer Sisters, Arturo Sandoval, Roberta Flack, Don McLean, Mel Tormé, Buckwheat Zydeco, and Trisha Yearwood, to name just a few. The celebration creates so much excitement that fans stake claims to the best spots on the Esplanade lawn starting at 6 a.m., when the grounds open. Grass quickly disappears beneath blankets, chairs, picnic baskets, and outstretched bodies, and the Charles River Basin is crammed with all manner of boats and floats. The atmosphere is one of communal good cheer. As the sun sets, the anticipation rises to fever pitch until that magic moment when the conductor mounts the podium and the music begins. With Tchaikovsky’s monumental 1812 Overture (complete with cannons and church bells) as the finale and the enduring Stars and Stripes Forever as the encore cueing a fireworks display that only gets more spectacular each year, it’s no wonder Bostonians consider the Boston Pops Fourth of July the grandest Independence Day celebration in the land!